|Statement||Jacques Aumont ; translated by Lee Hildreth, Constance Penley, and Andrew Ross.|
|Series||Theories of representation and difference|
|LC Classifications||PN1998.A3 E533413 1987|
|The Physical Object|
|Pagination||x, 243 p. :|
|Number of Pages||243|
|ISBN 10||0253338743, 025320366X|
|LC Control Number||85045074|
Sergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (), Battleship Potemkin () and October (), as well as the historical epics Alexander /5. Movement, Action, Image, Montage brings new elements of Eisenstein’s output into academic consideration, by means ranging from sustained and comprehensive theorization of Eisenstein’s practice as a graphic artist to purposeful engagement with his recently published, unfinished book Method, still unavailable in English translation. This tour Pages: COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus. Movement, Action, Image, Montage is a critical tour de force, combining brilliant close readings of Eisenstein’s films, drawings, and major texts with subtle speculative thinking.
The theory of "montage" or editing, developed by early Soviet filmmakers, reached its deepest expression in the writings of Sergeii Eisenstein, undeniably the most profound theorist of film art. This book contains the clearest and most accessible introduction to his ideas about the s: 8. Ideas on Montage by Jason Lindop Vol Issue 2 / February 13 minutes ( words) The great Soviet theorist and filmmaker Sergei Eisenstein explores the idea of creating an ‘intellectual cinema’ in three essays which were composed in Beyond the Shot, The Dramaturgy of Film Form, and The Fourth Dimension in Cinema. Eisenstein achieved so much in the field of editing that it would be most useful to present his theory first and then look at how he put theory into practice. His theory of editing has five components: metric montage, rhythmic montage, tonal montage, overtonal montage, and intellectual montage. The clearest exposition of his theory has been presented by Andrew Tudor in his book . Montage is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and term has been used in various contexts. It was introduced to cinema primarily by Sergei Eisenstein.
A novel in montage, Eisenstein’s Monster is a wild romp through the terrains of our consciousness. A man with terminal cancer in the language centers of his brain meets a young woman he hopes will facilitate an existence beyond the dwindling limits of his s: 4. Montage Eisenstein. London: BFI Pub. ; Bloomington: Indiana University Press, © (OCoLC) Material Type: Government publication, State or province government publication: Document Type: Book: All Authors / Contributors: Jacques Aumont. Find more information about: ISBN: X Additional Physical Format: Online version: Aumont, J. (Jacques). Montage Eisenstein. Paris: Editions Albatros, © (OCoLC) Named Person. Montage is a combination of the compositional generalization about the image and the image itself: a purposeful ‘fusion’ of compositional elements together with a generalized ‘contour’ of the image. (Eisenstein, , p.4) Shot was broken into fragments.